Theodor W. Adorno; Songwriter for All Beatles Songs; Director of Frankfurt/Tavistock Social Engineering School

“Truth is Truth and Has No Feelings One Way or Another”

Theodor W. Adorno (Tavistock Institute) was the brains behind the ‘Beatles’ as he held the rights to the music and eventually his estate sold those rights to Michael Jackson.

Adorno a classical musician wrote their music and it was all filtered down through Paul who could not read a note of music by the way. In fact the only half way real musician in the band was George Harrison. John was a poet who could strum a few chords and Ringo a hack drummer at best. George often wondered why they never wanted to use his songs. Oh and as an aside, Paul ended up being Knighted, and you don’t get Knighted unless you have done as you were told and made your masters proud.

The Beatles were introduced to the public as a means to spread youth culture which led to the spreading of the ‘New Age’ culture and this was all geared to setting up a nihilistic culture that is all to present today. It’s called divide and conquer but this gets into a whole different ‘Pandora’s Box’ if you will. Things are not what they seem.  https://www.iorr.org/talk/read.php?1,1767100,1767100

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Theodor Adorno left Germany in the spring of 1934. During the Nazi era he resided in Oxford, New York City, and southern California. There he wrote several books for which he later became famous, including Dialectic of Enlightenment (with Max Horkheimer), Philosophy of New Music, The Authoritarian Personality (a collaborative project), and Minima Moralia. From these years come his provocative critiques of mass culture and the culture industry.

Returning to Frankfurt in 1949 to take up a position in the philosophy department, Adorno quickly established himself as a leading German intellectual and a central figure in the Institute of Social Research. Founded as a free-standing center for Marxist scholarship in 1923, the Institute had been led by Max Horkheimer since 1930.

It provided the hub to what has come to be known as the Frankfurt School. Adorno became the Institute’s director in 1958.   http://plato.stanford.edu/entries/adorno/

 

Image result for theodor adorno, beatles

The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will.

New words and new phrases–prepared by Tavistock(1)– were introduced to America along with the Beatles. Words such as “rock” in relation to music sounds, “teenager,” “cool,” “discovered” and “pop music” were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be “discovered” by “teenagers.” Incidentally, the word “teenagers” was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations.

Tavistock and its Stanford Research Center created trigger words which then came into general usage around “rock music” and its fans. Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of “rock music” were designed for mass control of the new targeted group, the youth of America.

The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles merely reacting like trained robots “with a little help from their friends”–code words for using drugs and making it “cool.” The Beatles became a highly visible “new type”– more Tavistock jargon–and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage) which upset the older generation, as was intended. This was part of the “fragmentation-maladaptation” process worked out by Willis Harmon and his team of social scientists and genetic engineering tinkerers and put into action. 

Following the Beatles, who incidentally were put together by the Tavistock Institute, came other “Made in England” rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the “music.”

Another interesting thing is that The Beatles were knighted by Queen Elisabeth in the 60’s for “good work”. Ringo told the press he’d been so nervous he had to smoke pot in the bathroom before he met the Queen. Recently Paul McCartney was knighted “again”…

http://www.theforbiddenknowledge.com/hardtruth/beatles_mind_control.htm

There is a great online meme, suggesting that Theodor Adorno was the brains behind the Beatles. Picture the scene. It’s 1963 and Lennon and McCartney are struggling struggle with the composition of ‘She Loves You’. “She loves you,” says Lennon. “What comes next?” “Yeah, yeah, yeah?” chips in Adorno. “Brilliant, Teddie, just brilliant,” says McCartney. And , as a result, the song becomes a transatlantic smash, the Beatles’ all-time best-selling single. True story.   In fact, of course, Adorno, as you might expected, despised the mop-topped Scouse beat combo and everything they stood for. “What can be urged against the Beatles,” he said during a discussion in the magazine Akzente in 1965, ” is simply that what these people have to offer is something that is retarded in terms of its own objective content. It can be shown that the means of expression that are employed and preserved here are in reality no more than traditional techniques in a degraded form.”     Adorno was also scathing about 1960s protest music, arguing in this interview that it was corrupted by its association with commodified popular musical tropes as he explains. The high mindedness of Adorno’s critique loses its potency when you realise it was expressed by a philosopher who, during the 1960s, used to enjoy watching the safari drama Daktari, with its hero Clarence, the cross-eyed lion.

http://thequietus.com/articles/21004-frankfurt-school-adorno-music

 

 See Also:

The Manufactured Invention of the Beatles, Stones, Grateful Dead and the Birth of Rock n’ Roll by the Tavistock Institute; A Jesuit Corporation.

Manufacturing the Deadhead: A Product of Social Engineering… by Joe Atwill and Jan Irvin

R.I.P. Ziggy Stardust; Another Tavistock/Jesuit Creation

Frankfurt School

Frankfurt School 1924-1933

http://en.metapedia.org/wiki/Frankfurt_School

The Frankfurt School is a Marxist affiliated school of social theory and philosophy. Their origins go back to the Institute for Social Research at the University of Frankfurt. “Frankfurt School” is used as a term for thinkers affiliated with the Institute for Social Research or influenced by them.

History of the Frankfurt School

The first generation of the Frankfurt School were all Jews and the Institute of Social Research itself was funded by a Jewish millionaire, Felix Weil. It was created during the Weimar Republic and soon become very influential. The Frankfurt School was perceived as a communist organization and closed down within six weeks of Hitler’s ascent to power. It migrated to the United States (until after World War II) where it was also widely perceived as a communist front organization.[1]

Prominent members of the Frankfurt school include Max Horkheimer, Theodor Adorno, Herbert Marcuse, Friedrich Pollock, Erich Fromm, Walter Benjamin, and Jürgen Habermas.

21 thoughts on “Theodor W. Adorno; Songwriter for All Beatles Songs; Director of Frankfurt/Tavistock Social Engineering School

  1. I just listened to an audio interview of of an internet podcaster with an internet radio host who spent time researching matters associated with Paul McCartney and it is very compelling and revelatory of a massive hidden hand
    behind the creation etc. of the Beatles and may be of interest as relevant to this website material. [link is below]
    “Sofia Smallstorm & Mike Williams – The Death Of Paul McCartney – September 11, 1966 (Sept 2016)
    . The Sage of Quay Radio Hour”

    Liked by 2 people

  2. “teenagers” was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations.”

    Why must I be a TEENAGER in love!!

    Liked by 1 person

  3. Yes. “Teenager in Love” was first released in March 1959 by Dion and the Belmonts. It does not date from the Beatles era. They released their first record in 1962. Online Etymology Dictionary dates the word “teenager” from 1922. Strangely, the same source tells us that the word “Teen” was in use from 1818.

    Liked by 1 person

  4. What about “The Beat Generation” and 1930’s A very popular time for Intellectual & Creative Ideas (incl.Music,Art,Philosophy, looking for Historical Archeological Artifacts?

    Like

  5. Actually it was Shakespeare who wrote the Beatles songs. A little known fact. Actually I am wrong, it was the guy who wrote Shakespeare that in turn wrote the Beatles songs.

    Like

    1. Shakespeare wasn’t even Shakespeare ………He was really Sir Francis Bacon ! Shakespeare never existed …….. it was a pen name……..

      Like

  6. The New words and new phrases–prepared by Tavistock(1)– were introduced to America along with the Beatles. Words such as “rock” in relation to music sounds, “teenager,” “cool,” “discovered” and “pop music ” WRONG WRONG! Elvis Presley had brought those words to life when he dominated the rock scene. Fuck Theodor W. Adorno, He just took
    the credit seeing the American’s didn’t realize it at the time.

    Like

  7. Actually (and this is a little known fact) it was the former german chancelor Helmuth Kohl (the stepfather of A. Merkel) who wrote all the Beatles songs, including I love Rock’n Roll and We will rock you. Adorno spent most of his life in a platonic relationship designing tupperware and doing research on thermodynamics and classical art from sybiria. There’s also a rumor that he drove a car, but i am not sure about that.

    Like

  8. The comments here are incredibally intelligent. But I thought is was Barry Manilo that wrote the songs that made the whole world sing. The songs of love and everything, the songs that made the young girl cry, music who wrote the songs.

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  9. Its a beautiful thing if you feed it right. I would rather be an enemy of the state, and comprehend and understand this material. I choose to accept it as the clearer understanding I’ll refer to as “the truth”. I am thankful this info is still available inspite of [the Ministry of Truth]. #9 #9 “Sir Paul McCartney”

    Like

  10. The Jesuits have a long nefarious history. By their history we shall recognize their fingerprints everywhere today. Beside their world wars and Inquisitions in Europe and abroad, there have been their modern propaganda machines of Nazism and Communism, and even of their Jesuit College theater from the 16th century until today’s postmodern television, movie, internet. If they used Dark Ages theater almost better than the professionals of that time, why wouldn’t they use music to propagandize in this new age of light? What grabs the attention and remains seared into the memory so powerfully as sight and sound, color, motion, and music?

    In 1816 here’s what John Adams wrote to Thomas Jefferson concerning the reinstatement of the Jesuit Order two years earlier: “I do not like the late Resurrection of the Jesuits. They have a General, now in Russia, in correspondence with the Jesuits in the U.S. who are more numerous than every body knows. Shall We not have Swarms of them here? as many Shapes and disguises as ever a King of the Gypsies, Bamfied More Carew himself, assumed? In the shape of Printers, Editors, Writers School masters &c. I have lately read Pascalls Letters over again, and four Volumes of the History of the Jesuits. If ever any Congregation of Men could merit, eternal Perdition on Earth and in Hell; according to these Historians though like Pascall true Catholicks, it is this Company of Loiola. Our System however of Religious Liberty must afford them an Assylum. But if they do not put Purity of our Elections to a Severe Tryal, it will be a Wonder.” https://founders.archives.gov/documents/Adams/99-02-02-6595

    His generation knew the vicious deception and murder that personified Jesuitry and the Jesuit order. If only our generation could realize the danger it is in, now that their history has been changed or covered up under a pile of rubbish as high as the world trade center demolition two decades ago. President Adams’ final statement should be screamed from the highest housetop in light of the theatrics seen in the loss of “Purity” in our political and electoral system of late.

    What President Adams wrote was not religious prejudice, but truth–with the exception of one misconception: “Our System however of Religious Liberty must afford them an Assylum.” This misconception was fought by Samuel Morse who invented the Morse Code and won the race of the telegraph. In his book, “Foreign conspiracy against the liberties of the United States”, he argued very clearly that the free institutions of our nation are not obliged to give the Jesuits asylum due to the fact that their Vatican is not simply a religious organization, but a religio-political one. Morse’s argument, which he could say because of their track record, said that they use their religious front to get inside to do their destructive political intrigues. And the Jesuits are the very armor-piercing point of this religio-political deadly weapon of the Vatican. Now the Vatican has a Jesuit pope. John Paul II was likely the first, but now they have made such inroads that they are comfortable being overt. What is next? An entire Jesuit Vatican. And then an entire Jesuit totalitarian world.

    Thank you, Tabu, for bringing their music propaganda deception to the fore. One day you will be duly rewarded.

    Liked by 1 person

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